Urban Serenity
Cyanotype and acrylic painting on paper.
2024
In this work, I wanted to capture the tranquil horizon of Chelsea Watersea, where the delicate interplay of plants and architectural silhouettes creates a sense of harmony. The soft blend of natural forms and urban lines reflects the coexistence of nature and human presence in this serene setting. Through this piece, I aimed to evoke a feeling of calm and connection with the evolving landscape.
Waterside Flora
Drawing & acyrlic paont on paper.
2024
In this painting, I wanted to show the contrast between the modern lines of Bramah House and the soft, organic flow of English Ivy. The blue tones of the building reflect a sense of calm, blending with the serene water. For me, it’s about capturing how nature and architecture can coexist in harmony.
Architectural Blooms
Drawing on paper & acyrlic paint on acetate.
2024
This artwork captures the essence of modern buildings in Chelsea, UK, alongside white flowers, bulrush and delicate forget-me-not blooms. The juxtaposition of contemporary architecture with these natural elements reflects the harmony between the vibrancy of urban life and the tranquil beauty of Thames-side vegetation, encapsulating a sense of balance and serenity.
The Wait
Charcoal and pencil on paper.
90x150cm
2024
“The Wait” symbolizes the uncertain time the artist is in while “waiting” for the happy news she hopes to reach as a result of long efforts and work. Just as it is not clear when the news will come, it is also not clear whether it will come. Like a convict who makes a notch on the wall to record his time; randomly distributed plastic clamps are depicted, showing the expiration dates of bread bags.
The dates on the clamps and the number of them, document this “waiting” period. The “weaving” of these tiny objects on a huge paper, with all their fine details, in harsh contrast; shows us how painful the wait is for the artist - like a prisoner hoping to be free.
Although not depicted, “bread” is metaphorically directly linked to the news the artist hopes to receive. The “aggressive” style in this work, which blends the concepts of future, anxiety, hope and uncertainty; shows how determined and passionate the artist is about “clarifying” these concepts.”
Reestablishing Roots
40cm x 30cm
Cyanotype, collage, and drawing.
In Re-establishing Roots, I wanted to capture the experience of starting over in England and rediscovering a sense of belonging. The intertwining forms symbolize growth and the process of adapting while staying connected to one’s origins. This piece reflects the balance between holding onto my roots and embracing a new chapter.
I’ll Need to Leave Soon
150cm x 100cm
Pencil and charcoal on paper.
‘Facades covered with small marble pieces are common in Istanbul apartments, especially built around the 60’s and 70’s. These buildings are quite old now and considered “unsafe” on the verge of a huge earthquake the city is awaiting. The deep crack on the wall is made by officials to test the concrete quality and obviously the building is not safe for habitation. However, there are many stories, memories, lives and roots inside these walls. The flowers depict these emotional connections between the inhabitants and the building. The artist tried strongly to capture every single detail, every branch and leaf and every single piece of marble. As if she’s freezing the moment in time…’
Chalford Court
42cm x 30cm
Acrylic paint on paper.